It would outperform the SM58 in output level, feedback rejection, gain before feedback and sonic clarity. And of course, if it matters to you, Audix mics are built in the US, and Shures are built in Mexico. The manufacturer also covers OM-7 with a 5-year warranty, so you’ve got an assurance. I loved the OM7 tho I'm loving this e935 a lot and I'm sticking with it. I need a mic to record guitar cabinets, vocals and eventually use it live. then when the band played couldn't really hear him. More comparesble with the Sennheiser E945 in terms of polar patterns. The OM's are designed for high stage volume and singers being right on the mic, after around 3 inches volume drops dramatically to help reduce unwanted stage sounds and feedback. haven't compared it to the beta but to beyerdynamic opus 89 and audio technica AE 4100, both top of the line products of the companies dynamic line and om6 was the winner... for the record: the at was actually pretty close, a little smoother so maybe great for quieter genres. that would be an asset because we do tend to get loud and i'm often very close to the drums. has anybody used the om11 (the om1 reissue)? AUDIX CORPORATION DIFFERENCES BETWEEN THE OM2, OM3, OM5, OM6, AND OM7 The OM series vocal mics from Audix have become standards in the professional audio industry. my technique is good and dynamic range is pretty broad. I think the Audix mics cut thru the mix better tho I have gotten a few complaints from sound engineers bitching about feedback. and the proximity thing isn't a huge issue either. 58's seem like you can get away with moving around it a little bit. I really love how the OM3 sound on Female vocals the Audix OM5 is great on both male and female vox. The 835 is great for alto females. The E935 is a tad warmer/less bright. that is my only negative about the audix. The Sennheiser E935 is cardiod like an SM58. Lampifier Microphone Model 111 and Standard Programs (Page 1), http://www.lampifier.com/Merchant2/g...8Lampifier.pdf, Mary Zimmer Vocal Demo & Lampifier Microphones Demo - YouTube, Lampifier Model 111 Microphone Review - YouTube. live i usually sing into a regular 58. i have tried om6 and 7. the tone is great on an om7,, it's got a certain high mid that really cuts through.. as a singer, however, it has a much smaller sweet spot. The OM7 delivers a plausibly natural vocal balance with good clarity, a clean mid-range and a decent resistance to popping, though if used very close up, some ‘near pop’ events become audible, so a preamp with the low-cut filter switched in would be advisable for typical ‘eat the mic’ vocalists. Helps give a lower, rounder voice some life. BUT I'm the tech of a hardcore/metal band and the shouter uses a om6 and I've never had a problem bringin his voice up front... in fact, seperation and feedbackresistance is unbelievable. we use lots of their mics live and they are quite dependable~ good luckheh. As a live sound engineer, here's my thoughts. http://www.youtube.com/watch?v=yJCYh...el_video_title. i don't run around while i sing so straying from the sweet spot is most often not an issue. I sing lead vox in a punk band and the Sennheiser doesn't feed back at all. The Ohm 7 is way better than the B58, but of course also more expensive. OM2 and OM3. The Audix OM3 is better sounding then the SM58 on most sources. Hey there! The Audix OM3 is better sounding then the SM58 on most sources. A very loud vocalist, stage noise creeping into your vocal, or feedback. Between 1986 and 1989, Audix broke new ground with the OM Series of vocal microphones with VLM™ (Very Low Mass) technology. Give the Ohm 5 a try, same price as the 58, but still better sounding IMO. The Betas have a larger focus but still retain a hypercardioid pattern. Is there a loud stage volume mic comparable to the Neumann KMS105. Today I will provide a no non sense comparison of these two buddies, and then give a recommendation towards the end. it's time for a new live vocal mic and i'm ready to try something other than another sm58 which i've always used and have been happy with. The peak is lower than a B58. I have had quite a bit of experience with the Shure beta 58 and noticed it can be slightly prone to feedback … I'm just generalizing about the SM58, Beta 58, and OM-2, and OM-5 here. The Audix OM2 is on the same level as the Sm58. I just switched from 58's to Sennheiser e935. i went with one and havent been dissapointed. OM7 is really low gain kinda like SM7B. Although each of the models have been developed at different times, they fall into 3 distinct categories. It is great for super loud rock stages, and I'm not exactly sure what kind of gospel you're doing, but I think the more dynamic friendly beta 58 would be the best. I got turned on to the Audix OM7 by two different house sound engineers in the Austin, Tx area that I have tremendous respect for. By aznwonderboy in forum Free Ads for Music/Recording Equipment Replies: 3 Last Post: 04-11-2006, 16:19. Shure SM58 vs Audio Technica AT4040. an sm58 or a beta 58 (tbh I never notice a huge difference between the 2 with live bands) seem to sound ok on everything, whereas some mikes need to be more matched with the singer to get the best result. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. It would sound best with a decent preamp even before it hits a live board preamp. the only way to get any audix mic into rehearsal would be to rent one, because i don't know anyone personally that owns one. I loved the OM7 tho I'm loving this e935 a lot and I'm sticking with it. I'll give you a little inside info to get a good deal on the OM3s. sm58 can't do that and I'm afraid beta58 either... a md421 sounds like a omni in comparison. The OM7, while sounding superb, is a mic designed to address certain issues. When you buy products through links across our site, we may earn an affiliate commission. This is very nice if you are not competing with a high SPL stage with roaring guitars. What no one has mentioned (or I missed it if they did) is that the OM-7 requires a high end mixer with excellent preamps. What I will bring you in this review. (The secret of SM58’s durability actually lies in a thicker diaphragm, which unfortunately makes it sound rather muffled). my friend sings in a metal band and lost his beta 58, he decided to give audix a shot, might have been an om7 but i'm not 100% sure, could have been om6. I just switched from 58's to Sennheiser e935. The OM-7 is in a totally different class. got one a few months ago. They have no detail at all by comparison. Hey there! Better for singers who keep some distance between themselves and the mic. He says those are better than Shure mics, of course. i recently borrowed a beta 58 and saw a noticeable improvement to a regular 58, but ive also read some good things about the audix om7 although i don't know anyone to borrow one from. I just need some quick opinions from someone who knows about mics. so maybe it's better suited for acoustic singer songwriter music. ? I'm looking to get a really decent live vocal mic and the Audix OM7, Sennheiser E935 and Shure beta 58 seem to be top of the pile for dynamic mics! I haven't found the magic dynamic for that voice but an SM58 seems the best of what's in my box. he's often in front of the pa and if you listen solo to his channel its sounding like he's standing in a relativly quiet living room. I think the Audix mics cut thru the mix better tho I have gotten a few complaints from sound engineers bitching about feedback. Similarities & Differences; Final Word The 58 often seems quite nasal and boxy in comparison. Ok did a gig tonight and we had the Beta 58, Sennheiser E935 and Audix OM6 to try out. one thing Ive found about using fancy vocal mikes (or anything other than a 58 on vocals) is that they can be a lot more hit and miss. It is made from a cast zinc-alloy case with a mounted XLR output. I really love how the OM3 sound on Female vocals the Audix OM5 is great on both male and female vox. The female vocalist covers a huge dynamic range in a performance from very soft to belting! I personally really like the Sennheiser E945 for a modern vocal sound. They just seem to have a bit more presence and bite to them, or something that allows them to cut through a dense mix better on stage. you really have to be right up on it to get it to sound full. I know some great singers are using them, but that's like having a Ferrari with no gas. OM7 The OM2 and OM3 are cost effective all-purpose microphones with professional performance. Before we get into the Audix OM5 vs. Shure Beta 58A, grab a snack, sit back and relax because.. You’ve come to the right place!! Through any truly pro-level console, this thing will shine in a loud rock band. When you buy products through links across our site, we may earn an affiliate commission. Despite the cheap price of the mic, the Audix i5 is known to pack quite a number of features that easily make it stand out. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. when mixed properly you can sound big through a PA. the lower output isn't that extreme. i also read about the om11 and that seems to be a nice mic too, but not much discussion on gearslutz about it. I think the Audix mics cut thru the mix better tho I have gotten a few complaints from sound engineers bitching about feedback. Today i will provide a no non sense comparison of these two buddies, and Shures are built the! 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